INKWELL NEWSWATCH 
Monthly Online eZine  
News And Views For Working Writers

INdex 
 
 INside Scoop
 
 ON THE COVER
 
 INside AUTHORS
 
 COLUMNS
 IN Her Own Write
 INscribe
 Pen IN Hand
 Write On!
 INstruction
 
 WRITER'S LIFE
 Fiction
 Nonfiction
 Screen & Stage
 Poetry
 
 TOOL KIT
 Top 10 Resources
 Advice/Q&A
 Features
 Book Reviews
 Items Of INterest
 Global Offerings
 INside Services
 
 INside CHUCKLES
 Bill The Bard
 The Writer At Work
 Games & Puzzles
 
 FREEdom STUFF
 Classifieds
 Syndication
 Classic eTexts
 Free Software
 IN Banners
 
 ABOUT IN
 Who's IN
 What's IN
 Submissions
 Editorial Calendar
 Advertising
 Join IN's Team
 Contacting IN

IN Front Cover




Search

Learn To Be A Better Journalist

Buy Classic Literature Collections

Acclaimed Screenplay Writing Software

Books On How To Write Fiction

Become A Well Paid Travel Writer



Vote daily and raise our ranking!


INside AUTHORS January, 2008


Love Poems

INtroducing . . .
Kate Rigby and George E. Afara
By  Penelope Jensen

Every issue, IN presents INside Authors, a look at authors from around the world who have significantly caught our attention and deserve a little space and recognition. The following two authors are this month's choices, based on the heat arising from their corners. Our hope is to provide a glimpse, a snapshot, an overview of some of the finest writers of our time making waves both tidal and ripple.


George Elias Afara, Novelist and Nonfiction Author

Background INfo: I was born George Elias Afara in Beirut, Lebanon, 1971, a few years before the war. I woke up to troubled surroundings – the classic environment where penholders are bred.

My school years, like those of all other Lebanese students my age, often were disrupted for months at a time during the 1980s. I was an English language student, often lauded by my teachers for my skills in English and Arabic composition and translation. Although English was a passion of mine which grew without professional sponsorship, writing only surfaced when I was 15, instigated mostly by teenage emotions and wartime adventures. I did, however, get signs of a potential future career. There was little opportunity for travel or living abroad. Our life in Lebanon was often unstable, due to the war. It ended in 1990, offering not many prospects for a high-school dropout except to seriously begin a book. From the beginning, this book was meant to see light in the West because of the poor possibilities offered in troubled Lebanon and the poor reading markets of the Arab world. And so, after taking a job in the steel-tackling business for six precious years, serious work in fiction writing began in 1997, and the writer in me found its breeding ground and hatched.

INfluences: I can honestly say that I owe my writing style to means rather than to men. I was not much influenced during my school years. It was through my own interest in the language and my consequent use of music, motion pictures, my humble readings, and my own numerous writing efforts that my present skill was founded.

Since I don't read novels but rather nonfiction books, which I keep as references, I certainly haven't been influenced by other writers. Thankfully, my family finally took my writing seriously when I signed up with my publisher, Patrika Vaughn of A Cappela Publishing.

Advice: Know your thing – meaning set your goal for a clear target, like, "I begin here now; I have to be there then." Vary your works. For instance, I now have three or four books in process, on different subjects , and whenever I find myself pausing at one, I move on to the other. My mental wheels keep spinning.

Life often hits back at you. It's a boxing match; you either beat it, or it beats you. And like boxing, writing requires stamina – a lot of it – not to mention incentive: Why write, and for what achievement? For me, it's just something that was born to be expressed to share with others; something honourable to do that I will be remembered for. Persevere and excel, and what you achieve is a long-term evaluation I wouldn't worry about.

And PS: Be ready to be a better salesperson than a writer.

Order this book from Amazon!
Internet: A writing career is just like any other business across the globe; it is necessary to make use of modern technology in the hyperactive world of today, so why row the boat when you can have an engine? Technology is the fastest growing realm of our time, and you either ride it and soar, or simply watch it go by. It simply is: You're on, you're in; you're not, you're out.

Check out www.terror-at-the-terminals.com and see what it's all about.

Future: Writing is one thing I cannot keep from doing; it's my passion. I currently have several books, fiction and nonfiction, on my plate. Meanwhile I have a second novel to publish while I tackle the marketing for my first novel. God willing, there should be a good accumulated bibliography under my name within the next ten to fifteen years, assuming I live to accomplish this.

Bibliography

Terror at the Terminals, Advocate House – a division of A Cappela Publishing Inc.


Kate Rigby, Fiction and Nonfiction Author

Background INfo: I live in the alternative town of Totnes in Devon, England. I've been writing since I was small and seriously since I was about twenty (a long time ago!). I had my first novel published when I was twenty-eight, though it was actually the second one I wrote. It was called Fall Of The Flamingo Circus, written in diary form about a young rebellious punk girl. The first novel I actually wrote was called Where A Shadow Played and eventually won a Southern Arts bursary but to this day has never been published. It was to be another thirteen years before I got my second novel published courtesy of a small off-the-wall indie press called Skrev.

I was born in Crosby, north Liverpool. I've also lived in Cirencester, Bournemouth and now Devon. Most of these places have featured in my novels. Cirencester provides the setting for Thalidomide Kid, Liverpool the setting for Sucka!, and Bournemouth the inspiration for Seaview Terrace and Break Point as well as some of the Fall Of The Flamingo Circus.

INfluences: Authors that have inspired me tend to be of the literary ilk including Graham Swift, Ali Smith, Nell Dunn, Paul Magrs, Helen Dunmore, and Mark Haddon to name a few. My mother inspired me to start writing novels as she was writing her first one when I was a teenager. So I was able to pick her brains about the whole process. Although she's never been published, she has recently rewritten her autobiography, which makes fascinating reading as she grew up with some of her Jewish relatives in East London during WWII.

My father, now sadly deceased, was always very encouraging about our creative endeavours, and my sister Ann who I share a house with has been a rock, supporting me through the troughs and often deeper troughs of the writing world! In fact, Ann, an artist, designed the cover for Thalidomide Kid and my brother also contributed his expertise on the graphic design side; so it was a joint project.

Advice: My advice to new writers would be that writing has to be something you need to do, i.e. it chooses you rather than the other way round. I would also say perseverance is key as well as the old adage about 10% inspiration, 90% perspiration. As it's tough in today's market, I'd say if you're in it for the money you're likely to be disappointed. Those five figure advances are the exception and not the rule, though somebody's got to strike lucky!

Order this book from Amazon!
Internet: I don't have my own website but I think the Internet has created more opportunities for writers as well as for the buying and selling of books.

The Future: At present I am in the process of writing another novel, although my personal circumstances are causing a few setbacks at the moment. However, I still have plenty of unpublished material desperately seeking publishers! I have also had several short stories published and/or shortlisted, which I'd like to see published in a collection one day; and I've recently diversified into nonfiction, though that's a one-off for the moment.

Bilbliography

Fall of The Flamingo Circus, Allison & Busby 1990; also published by Villard US hardback 1990
Seaview Terrace, Skrev Press 2003
Sucka!, Skrev Press 2004
Break Point, Skrev Press 2006
Thalidomide Kid, BeWrite 2007
IN Icon



Penelope Jensen considers herself a citizen of the world, aligning herself at this moment with the purposes of IN, where you'll find her writing articles and interviewing authors, among other things. You can reach Penny at: PenJen@inorbit.com.

Sign Up and Use Our New Forums! Voice Your Opinion! Discuss Our Content! Ask for Writing Assistance. Post Your Successes, Queries or Information Requests. Collaborate with Other Writers.

© Freelance Writing Organization - International 1999-2049

INside AUTHORS
IN This Issue
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .
INtroducing . . .

Support IN
Receive Free Gifts
$20.00 Voluntary Contribution
$35.00 Voluntary Contribution
$50.00 Voluntary Contribution

New Novelist Software


Effectively Manage Your List


Writers Digest 101 Site Award






Your Ad Here

Traffic Swarm For Writers


Hottest Books This Month!

Whose Books Are Turning Into Movies?
Bald Ego
Mouse Over To Pause

Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

Bard From Deadlines
What makes a poem finally work
Is not the time it takes;
It’s how the poet used the muse
To prophet from mistakes.

Be Mused
The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

Double Vision
A writer’s life is paradox,
It’s more than what it seems;
We write of our reality,
The one inside our dreams.

Poetry
The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

The Write of Passage
The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

Pegasus
It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

Re-Verse
The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at FatherGoose.com


Our Own Banner Rotator System
Any banner seen below is either our own or one of our members.
Support the cause - click a banner.


Want Your 468x60 Banner Above? It's FREE For Newly Published Books

© Freelance Writing Organization - International 1999-2049
All Rights Reserved. Copying in any way strictly forbidden.
Our Disclaimer Is Based Upon McIntyre's First Law: "Under the right circumstances, anything I tell you may be wrong."