INKWELL NEWSWATCH 
Monthly Online eZine  
News And Views For Working Writers

INdex 
 
 INside Scoop
 
 ON THE COVER
 
 INside AUTHORS
 
 COLUMNS
 IN Her Own Write
 INscribe
 Pen IN Hand
 Write On!
 INstruction
 
 WRITER'S LIFE
 Fiction
 Nonfiction
 Screen & Stage
 Poetry
 
 TOOL KIT
 Top 10 Resources
 Advice/Q&A
 Features
 Book Reviews
 Items Of INterest
 Global Offerings
 INside Services
 
 INside CHUCKLES
 Bill The Bard
 The Writer At Work
 Games & Puzzles
 
 FREEdom STUFF
 Classifieds
 Syndication
 Classic eTexts
 Free Software
 IN Banners
 
 ABOUT IN
 Who's IN
 What's IN
 Submissions
 Editorial Calendar
 Advertising
 Join IN's Team
 Contacting IN

IN Front Cover




Search

Learn To Be A Better Journalist

Buy Classic Literature Collections

Acclaimed Screenplay Writing Software

Books On How To Write Fiction

Become A Well Paid Travel Writer



Vote daily and raise our ranking!


TOOL KIT
Items Of INterest
January, 2008


Torrey Meeks

Trade Away Your Starvation
For your consideration
By  Torrey Meeks

Why be a starving writer when there are trade magazines wanting your words?
Making it as a writer isn't easy. Starting out is even harder. For any frustrated beginning freelancer who's spent hours sifting through online job boards with a fine tooth comb only to come up with a handful of moth-eaten prospects such as, "100 articles needed in five days; $2/piece," or "20 well-researched original 500-word articles for new website. Can't pay now but great exposure!" there's got to be a better way.

There's good news. You can do better. Much better. It's all a matter of where you look. That means don't go chasing after that ghostwriting job that requires an established writer on MediaBistro.com. Don't spend two days crafting the perfect query letter for your favourite high-profile glossy consumer magazine, salivating over the dollar-per-word price tag. Yes, hope springs eternal, but it dries up mighty fast after the initial gush. These all-or-nothing strategies are a sure way to sabotage your early enthusiasm by stacking up some hard and fast rejection letters.

Here's a better approach: Write for trade magazines. Any trade, every trade. Pick up a Writer's Market and flip through it. There's an entire section devoted to these magazines.

What is a trade magazine? It's a publication hand tailored to address concerns of the men and women who work at a given profession. And since there are hundreds of professions in the world there are hundreds of trade magazines. Piloting, car racing, car making, baking, manufacturing, architecture, interior design, education, politics, filmmaking – these are just the tip of the iceberg. I haven't found it yet, but I'm keeping my eyes peeled for the Underwater Basket Weaving Review.

But seriously. If you're a frustrated beginner, stymied by where to start, staring down the barrel of starvation after taking that leap of faith in search of your dream, now's the time to buckle down and get some ink on your fingers.

I can hear you asking why you'll have better luck with a trade magazine than a mainstream consumer magazine, and the answer is pretty simple. Sheer volume.

Competition isn't nearly as fierce in the trade market. For the same reason you haven't written for Hard Timber Hauling Magazine yet, the majority of other writers in your shoes aren't volunteering either. No, it's not as sexy as saying you write for GQ or Vanity Fair, but it does pay the bills. That makes you a writer.

Let's say you take my advice and get into trade magazines. You could be commanding up to $0.25 a word after three months. In order to make $1,700 a month, more than enough to meet basic needs depending where you live, you'd have to write 6,800 words every thirty days. Taking in to account that a full-length feature for an established trade magazine can easily range between 1,500-2,000 words, you're looking at four or five articles a month. That is incredibly doable.

There's no such thing as a sure thing in writing. Even if you do decide to go the trade magazine route, there's no guarantee you won't earn your share of rejection letters.

However, if you do your homework those rejections are likely to be rare. In the meantime, you'll get paid while learning invaluable skills such as how to avoid journalistic faux pas, how to form good rapport with editors, how to get over your artistic pretensions and let a more knowledgeable hand slice and dice your work, how to write follow-up queries at a hard won publication, and more.

Still think I'm trying to pull a fast one on you? When I started freelancing a year ago, I had no college education, no previous journalism experience, and no contacts. Three weeks after I quit my job, I landed an assignment at a prestigious business publication thanks to a well-crafted query letter. Then I turned that one assignment into a string of new stories over the next eight months.

It wasn't all downhill after that though. After turning in my second assignment for the business publication, I was told the draft was, "unpublishable."

That's why you have to go into it expecting to be at the bottom of a great big ladder you want to climb. There's a hell of a learning curve, and you need to keep in mind that it gets better, easier, and more enjoyable the longer you do it.

With my unpublishable story, instead of admitting defeat or responding like a prima donna, I did my damndest to give that editor a solid re-write and higher quality work in the future. I asked questions and earnestly requested detailed feedback about where I'd gone wrong. And I got it. Not only that, I was given another shot with a third article. Today I greatly value that editor's frank assessment. It made me a better writer in the long run, and today I'm still banking checks.

So when you set out to write for the trades, keep a decent dose of humility on hand and realize that though it won't be easy, it's good publishing experience that pays. So what are you waiting for? Start writing those queries!

Still at a loss? Come back next month and I'll show you how to craft the perfect query letter to land that first trade magazine gig.
 
IN Icon


Torrey Meeks is a full-time freelance writer for a variety of trade and consumer publications. After a stint in the US Army as a combat medic, he traveled around the country holding a motley handful of jobs. He has been a long-haul trucker, stone mason, waiter, and pizza slinger. Contact Torrey at torrey-dot-meeks-at-gmail-dot-com.

Sign Up and Use Our New Forums! Voice Your Opinion! Discuss Our Content! Ask for Writing Assistance. Post Your Successes, Queries or Information Requests. Collaborate with Other Writers.

© Freelance Writing Organization - International 1999-2049

Items Of INterest
IN This Issue
Constant Improvement
We're Getting Older! Thank you!
Standing On The Digital Platform
NaNoWriMo Wrap
Official Words From Pop Culture
NaNoWriMo Killed Her
Career Fair For Women
Unotchit LongPen™
Norman Mailer: American Literary Giant
Writer, Inventor, I Am

Support IN
Receive Free Gifts
$20.00 Voluntary Contribution
$35.00 Voluntary Contribution
$50.00 Voluntary Contribution

New Novelist Software


Effectively Manage Your List


Writers Digest 101 Site Award






Your Ad Here

Traffic Swarm For Writers


Hottest Books This Month!

Whose Books Are Turning Into Movies?
Bald Ego
Mouse Over To Pause

Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

Bard From Deadlines
What makes a poem finally work
Is not the time it takes;
It’s how the poet used the muse
To prophet from mistakes.

Be Mused
The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

Double Vision
A writer’s life is paradox,
It’s more than what it seems;
We write of our reality,
The one inside our dreams.

Poetry
The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

The Write of Passage
The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

Pegasus
It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

Re-Verse
The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at FatherGoose.com


Our Own Banner Rotator System
Any banner seen below is either our own or one of our members.
Support the cause - click a banner.


Want Your 468x60 Banner Above? It's FREE For Newly Published Books

© Freelance Writing Organization - International 1999-2049
All Rights Reserved. Copying in any way strictly forbidden.
Our Disclaimer Is Based Upon McIntyre's First Law: "Under the right circumstances, anything I tell you may be wrong."