INKWELL NEWSWATCH 
Monthly Online eZine  
News And Views For Working Writers

INdex 
 
 INside Scoop
 
 ON THE COVER
 
 INside AUTHORS
 
 COLUMNS
 IN Her Own Write
 INscribe
 Pen IN Hand
 Write On!
 INstruction
 
 WRITER'S LIFE
 Fiction
 Nonfiction
 Screen & Stage
 Poetry
 
 TOOL KIT
 Top 10 Resources
 Advice/Q&A
 Features
 Book Reviews
 Items Of INterest
 Global Offerings
 INside Services
 
 INside CHUCKLES
 Bill The Bard
 The Writer At Work
 Games & Puzzles
 
 FREEdom STUFF
 Classifieds
 Syndication
 Classic eTexts
 Free Software
 IN Banners
 
 ABOUT IN
 Who's IN
 What's IN
 Submissions
 Editorial Calendar
 Advertising
 Join IN's Team
 Contacting IN

IN Front Cover




Search

Learn To Be A Better Journalist

Buy Classic Literature Collections

Acclaimed Screenplay Writing Software

Books On How To Write Fiction

Become A Well Paid Travel Writer



Vote daily and raise our ranking!


TOOL KIT
Features
January, 2008


http://www.donvasicek.com
http://www.donvasicek.com

Page 90 to the End of Your Screenplay XII
12 Part Series On How To Write Screenplays
By  Don Vasicek

Don't leave your audience wondering. Everything at this point has to be paid off.
I
n this screenplay educational series IN will be covering the following course sections of information graciously provided by Donald L. Vasicek:

  • So, You Have A Movie Idea - I
  • More on Your Movie Idea II
  • Emotion and Your Movie Idea III
  • The Logline IV
  • The First Minute V
  • Write The End To Your Screenplay Foremost VI
  • The First Twelve Pages of Your Screenplay VII
  • Page 12 to Page 30 of Your Screenplay VIII
  • Page 30 to Page 45 of Your Screenplay IX
  • Page 45 to Page 60 of Your Screenplay X
  • Page 60 to Page 75 of Your Screenplay XI
  • Page 90 to the End of Your Screenplay XII

Don't miss out on a single issue of IN and how to get your screenplay from the page to the silver screen.


The final twenty or so pages of your screenplay should resolve everything that you set up during the past ninety pages. Don't leave your audience wondering about what happened to a certain character, or why you had a sign fall off the side of a building in the early part of your screenplay, etc. Everything at this point has to be paid off.

The main focus is to make sure your main character resolves his or her main/outer problem (the goal you have them set out to achieve at about page ten in your screenplay). This should be accomplished by forcing your main character to solve his or her inner problem that you should have also set up around page ten of your screenplay.

The main/outer problem that you established for your main character might circulate around the antagonist. An antagonist represents opposition to your main character and can be a person, persons, an issue, an object, an item, or thing. Or the problem might circulate around the villain. A villain represents evil plus opposition to your main character. Whatever you have set up for your antagonist or villain to accomplish in your screenplay (their goal), then it should be the same as what you have set up for your main character to accomplish as a goal.

You should show the difference by the individual ways your main character and antogonist or villain try to accomplish the goal and why they have the goal they have. The antagonist will throw up obstacles to prevent your main character from succeeding so that he/she can succeed. Your villain should utilize evil means to prevent your main character from succeeding so that he/she can succeed.

In the end, have your main character confront his/her antagonist or villain in a final matchup to see who will win. The only way your main character can win is to confront him/her with their inner problem. In my screenplay, "The Caller", my main character's inner problem is being unable to trust anyone. This leads to losing potential boyfriends, stalking, and murder.

In the end, in order to defeat the villain, my main character has to overcome her inability to trust others as she is forced to trust the villain in order to defeat him. If she does not, she dies. If she does, she lives.

Once you have your main character overcome his/her inner problem and defeat his/her antagonist or villain, then wrap everything up very quickly and end your screenplay. Leave no loose ends unresolved.

Want to celebrate once you've finished your screenplay? Do some stretching exercises. Meditate. Take a run or a walk. Take a day off. Buy yourself a t-shirt.

Then, go back to page one of your screenplay, and begin to rewrite it. Doing so will make the screenplay that much better and easier to sell to Hollywood.

Thank you for dropping by.
Good writing to you!
Part XII of XII
Previous part of the series.IN Icon


Donald L. Vasicek was a writer/consultant for Warriors of Virtue, screenwriter for The Crown, writer/associate producer for The Lost Heart and Born To Kill. He wrote, directed, and produced Faces, Oh, The Places You Can Go..., Haunted World and the award-winning The Sand Creek Massacre. He writes columns for Hollywood Lit. Sales, Moondance Int'l Film Festival's E-zine, Screenplace, Screenwriters Forum, Screenplayers.Net, Screenwriters Utopia, Ink-On–The-Brain and Spraka & Kinsla (Swedish). Author of How To Write, Sell, And Get Your Screenplays Produced (http://www.selfhelpguides.com/display.php3?guide=1822020729) and The Write Focus. Web site: http://www.donvasicek.com


Sign Up and Use Our New Forums! Voice Your Opinion! Discuss Our Content! Ask for Writing Assistance. Post Your Successes, Queries or Information Requests. Collaborate with Other Writers.

© Freelance Writing Organization - International 1999-2049

Features
IN This Issue
The Write Group
Answering Submissions Calls
Part III: Have Ideas, Will Travel
Part II: Have Ideas, Will Travel
Part I: Have Ideas, Will Travel
Part II: Early Elementary Picture Books
Part I: Early Elementary Picture Books
Part II: Are These Mistakes Costing You Money?
Part I: Are These Mistakes Costing You Money?
Journey Within Your Mind

Support IN
Receive Free Gifts
$20.00 Voluntary Contribution
$35.00 Voluntary Contribution
$50.00 Voluntary Contribution

New Novelist Software


Effectively Manage Your List


Writers Digest 101 Site Award






Your Ad Here

Traffic Swarm For Writers


Hottest Books This Month!

Whose Books Are Turning Into Movies?
Bald Ego
Mouse Over To Pause

Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

Bard From Deadlines
What makes a poem finally work
Is not the time it takes;
It’s how the poet used the muse
To prophet from mistakes.

Be Mused
The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

Double Vision
A writer’s life is paradox,
It’s more than what it seems;
We write of our reality,
The one inside our dreams.

Poetry
The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

The Write of Passage
The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

Pegasus
It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

Re-Verse
The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at FatherGoose.com


Our Own Banner Rotator System
Any banner seen below is either our own or one of our members.
Support the cause - click a banner.


Want Your 468x60 Banner Above? It's FREE For Newly Published Books

© Freelance Writing Organization - International 1999-2049
All Rights Reserved. Copying in any way strictly forbidden.
Our Disclaimer Is Based Upon McIntyre's First Law: "Under the right circumstances, anything I tell you may be wrong."