Monthly Online eZine  
News And Views For Working Writers

 INside Scoop
 IN Her Own Write
 Pen IN Hand
 Write On!
 Screen & Stage
 Top 10 Resources
 Book Reviews
 Items Of INterest
 Global Offerings
 INside Services
 Bill The Bard
 The Writer At Work
 Games & Puzzles
 Classic eTexts
 Free Software
 IN Banners
 Who's IN
 What's IN
 Editorial Calendar
 Join IN's Team
 Contacting IN

IN Front Cover


Learn To Be A Better Journalist

Buy Classic Literature Collections

Acclaimed Screenplay Writing Software

Books On How To Write Fiction

Become A Well Paid Travel Writer

Vote daily and raise our ranking!

INside Scoop January, 2008

Losing Patience

The Freedom to Express Yourself
Writing as birth
By  Julie A. Pierce

ometimes, with writing as with birthing — even if you are not gestating a specific topic, but rather just holding the intention to create or produce something someday — there is a need to let the energy of it grow. Then, when sufficient energy has accumulated, a huge force pushes the creation out of you, giving it life. You examine what you've created, and you cannot believe you had it in you.

Yes, that's a bit of a dramatic case for procrastination, but that's what it feels like for me. Even when what comes out is not the gift the world has been waiting for, still it has been a huge and — once done — relieving effort. Although my description sounds like the pain of writing, I believe it is also the pleasure of it.

So pick a... no, you don't even have to start there. Just write. See what comes out, and then identify in what genre and style you wrote. This way you are free to release it; let it come out in its natural glory — needing a good wash and swaddle. When you discover what you unreservedly birthed — I mean wrote — then you can start to shape and guide it into the piece that you really want to produce.

Did you write something that resembles a poem? Did you write something that could — maybe — be a short story? OK. But what you've always really wanted to write was a screenplay. Great. Now, take your conception that naturally came out, and learn what it needs in order to shape it into your screenplay. Love your writing unconditionally. Nurture it into what you want to contribute to the world.

As usual, the suggestions I make are not the easiest to follow, but if they at least make you think, then I've given you something. And as always, our articles in this edition of IN are here to help you along.

Billie Williams brings us reviews of three books to inspire your character development, your fiction-writing process, and your desire to be a playwright. Jonathan Dorf guides you through the challenging act of revising and refining your play with Part I of a two-part series. If you know you want to write a play specifically for children but don't know where to start, Steve Cross points you in the write direction.

Our resident basketball editor Diego Jesus takes us to a court of a different sort in Journalism. M. Y. Mim continues her examination of what makes great writing in the second of her three-part series, and Mark Daoust begins a two-part series on what RSS is and how it can work for you.

Christopher Teague looks at poems from two accomplished writers to illustrate how prose poetry can be a comfortable introduction to the poetic muse. Gene Lenore explains the idiosyncrasies of broadcast journalism, and Judy Adourian suggests an excellent way to make what you write bring home the bacon from a range of marketplaces.

In Useful News, Mark London gives us ideas for finding agents and shares a website with us that could offer an alternative writing gig. Need a publisher? Our own Q&A guru Joan Neubauer's WordWright may be of help. Consider the flash fiction contest hosted by Mindprints, and check out our Events section for updated listings of conferences, lectures, and workshops to continue the development of your talent.

This month, Canada lost a national treasure with the passing of Kenneth Thomson. As Rowdy Rhodes honours this nobleman's contributions, we have the opportunity to glimpse what makes a man successful.

Thank you to everyone who wrote in this past month. It's very useful and gratifying to hear from you. Your communication with us is most important in guiding the direction of this publication. Without your input, we are working in the dark. Please continue to let us know what you want and how we are doing. We're doing it all for you.IN Icon

Julie A. Pierce
Inkwell Newswatch (IN)

Sign Up and Use Our New Forums! Voice Your Opinion! Discuss Our Content! Ask for Writing Assistance. Post Your Successes, Queries or Information Requests. Collaborate with Other Writers.

© Freelance Writing Organization - International 1999-2049

INside Scoop
IN This Issue
A Writing Roller Coaster
INside On Hiatus
Resource Redirect
Telling Stories
Writing For A Living?
Refresh & Commence
Hecklers And Helpers
Straight To The Good Stuff

Support IN
Receive Free Gifts
$20.00 Voluntary Contribution
$35.00 Voluntary Contribution
$50.00 Voluntary Contribution

New Novelist Software

Effectively Manage Your List

Writers Digest 101 Site Award

Your Ad Here

Traffic Swarm For Writers

Hottest Books This Month!

Whose Books Are Turning Into Movies?
Bald Ego
Mouse Over To Pause

Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

Bard From Deadlines
What makes a poem finally work
Is not the time it takes;
It’s how the poet used the muse
To prophet from mistakes.

Be Mused
The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

Double Vision
A writer’s life is paradox,
It’s more than what it seems;
We write of our reality,
The one inside our dreams.

The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

The Write of Passage
The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at

Our Own Banner Rotator System
Any banner seen below is either our own or one of our members.
Support the cause - click a banner.

Want Your 468x60 Banner Above? It's FREE For Newly Published Books

© Freelance Writing Organization - International 1999-2049
All Rights Reserved. Copying in any way strictly forbidden.
Our Disclaimer Is Based Upon McIntyre's First Law: "Under the right circumstances, anything I tell you may be wrong."