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INside Scoop January, 2008


The Writer at Work


INside The NBA
Just gimme a second, folks. Got games to watch.
By  Daryl Jung

A
s I predicted, the glorious Miami Heat take on the venerable Detroit Pistons in the 2006 National Basketball Association Eastern Conference Finals, a match-up brought about by the Pistons' game-seven trouncing of the Cleveland Cavaliers in the second round.

Especially significant this year is that American phenom LaBron James, who came to the NBA three seasons ago straight from high school, has had his first taste of the playoffs, a much faster, more physically and mentally intense game than regular season fare.

He far exceeded any reasonable expectations (except winning this series, which wasn't one of them, but then neither was extending the it to seven games, which he did) and a career destined to eclipse that of Michael Jordan is already in full-blast mode, boasting a trunkful of shattered first-time playoff appearance records.

Virtuosity in anything — basketball, music, writing — is both humbling and exhilarating. With IN, we're trying to demystify the reasons for the former and emphasize the latter. I often wax ridiculous about parallels between writing and basketball — and the more obvious ones between writing and music, particularly rhythm and meter — but I do know that just as the only certainties in life are death and taxes, the only reality of any art form or discipline is fundamentals. One must walk before one runs and so on.

If nothing else, though, I always implore aspiring writers to please learn how to press down the single strings before trying to strike a whole chord. Through hard work, constant practice and innate ability you can succeed. You might just need a bit of the attitude young "King James" not only possesses but practically monopolizes — a thuggish distain for any suggestion whatever that you cannot.

Another compelling aspect of James' natural talent is that he hit the playoffs ground running, with very few missteps. So too did our new editor, Julie Pierce, into the flow if IN's editorial schemata. She's effortlessly picked up the reigns of Writers Life, Reviews and Useful News, exhibiting her empathetic editing style and a breezy, accessible writing voice in the process. 

Since Rhodes and me started ruminatin' about this thing we've wanted a woman's perspective that is as prevalent, if not more so, than our own divergent agendas. And we lucked out. Welcome to the firm, JP!

The infusion of her energy has propelled this issue, and you should check the debut of her INside Scoop column to get the lowdown. Beyond that, you'll find on our cover Lee Gutkind, the godfather of creative nonfiction (capitalized by some) or 4th Genre — what I call New Journalism, which Gay Talese pioneered with Honor Thy Father, which was inspired by Truman Capote's "real-life novel" In Cold Blood, which spawned Norman Mailer's handling of the Gary Gilmore story, Executioner's Song. Hunter S. Thompson had his fingers in the punch along the way too, with his series of Fear And Loathing books and Rolling Stones pieces. Whatever you call it, Gutkind has found himself, if unwittingly, on its cutting edge.

Always on the edge is Anne R. Allen, who comes on strong in IN Her Own Write with some crafty, if not profitable, ways of dealing with the occupational hazard we all face — anger. The other side of that coin is patience, and Ken Robinson extols its virtues in Write On! Jennifer Edelson’s Bitter Quill explores that ethereal zone where mediocrity ends and literature begins; Buzz Burza’s INdia Buzz pulls no punches about plagiarism; and Peggy Bechko takes Pen IN Hand to lay down the ins and outs of agents. To boot, INside Authors features a couple of cats you may find, well, interesting... Michael Allen and Gordon Grant.

Me? Well, the playoffs run until late June. Bet you can't wait to hear all about it. Not!?

Go Heat! IN Icon


Daryl Jung
Editor
IN (Inkwell Newswatch)
publisher@fwointl.com

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IN This Issue
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Writing For A Living?
Snoodles
Passages
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Mouse Over To Pause

Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

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Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
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The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
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A writer’s life is paradox,
It’s more than what it seems;
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The one inside our dreams.

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The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

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The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

Pegasus
It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

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Spun with words of wonder,
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By whispers made of thunder.

Re-Verse
The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at FatherGoose.com


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