Monthly Online eZine  
News And Views For Working Writers

 INside Scoop
 IN Her Own Write
 Pen IN Hand
 Write On!
 Screen & Stage
 Top 10 Resources
 Book Reviews
 Items Of INterest
 Global Offerings
 INside Services
 Bill The Bard
 The Writer At Work
 Games & Puzzles
 Classic eTexts
 Free Software
 IN Banners
 Who's IN
 What's IN
 Editorial Calendar
 Join IN's Team
 Contacting IN

IN Front Cover


Learn To Be A Better Journalist

Buy Classic Literature Collections

Acclaimed Screenplay Writing Software

Books On How To Write Fiction

Become A Well Paid Travel Writer

Vote daily and raise our ranking!

January, 2008

IN Advertising

But You're Not A God, You're A Mentor!
New poets' work is an extension of their lives
By  James Strecker

Athena, goddess of prudent intelligence, assumed the Mentor's shape to counsel.
A mentor sure has big shoes to fill.

After all, the original "wise counselor" was none other than Mentor, the advisor of Odysseus' son Telemachus, in the epic of Homer. And get this -- Athena, goddess of prudent intelligence, took to assuming the straight-talking Mentor's shape in order to give humans counsel.

Still, when a budding poet asks for your guidance, you as merely mortal soon find your stature much less than god/goddess-like and the task some butt-paining, really hard slugging. The reasons vary.

Writers new to poetry can be an understandably insecure bunch in their virgin forays into a literary unknown. Simply put, they haven't written enough, so each critique seems more a test of their existential worth than a helpful peek at their words. They take what you say very personally. And why shouldn't they?

The new poet's work is an extension of the writer's life, to be sure, and has followed its own logic into existence. To a professional, writing is ideally a balance of life experience and technical savoir faire, but the inexperienced writer is much less comfortable letting a poem stand on creative merit alone.

"Let's get back to what you have actually written and not the whole of your life," you, the mentor, will plead many times.

Or, even more frustrating, the writer might treat the mentor as one somehow deficient, one who doesn't get it, and ask, "Isn't the writing obvious with sincerity, cleverness incarnate, exactly what I wish to say? Isn't writing an individual's unique voice, so who, in the end, can challenge it? Don't I, the writer, know what I am doing and aren't you, the mentor, always on the outside looking in with all your suggestions and judgements?".

Okay, folks, where do we go with that?

Well, let's skip all the choices from (b) to (f) and go with (a) which says the following: "You, as a mentor, have to demand of yourself what you expect of the young writer. You have to re-assert to yourself, each day sometimes, how your heart lives in mentoring, assert again that your need to mentor is not the whore of loneliness, remind yourself that every thing you do as a mentor can be alive and creative. Or it can be dead."

Then further realize that everything you do as a mentor can be taken as an assault on a novice writer who might be quite satisfied without your intrusion. Try to reach this person, change a comma, and understand that they might not care about writing as much as you. You might find that one person's depth is not so deep to another -- and this goes both ways.

Still, you patiently try to snatch each clue the helped one puts out, each clue that will help you, the mentor, mentor. If you use a clue well, this poet might go, sometimes without knowing it, where they need to go as a writer.

But ain't life like this? As you mentor, you begin to detect your own shallowness, question your own dedication to writing, your own level or version of honesty, your own safe habits, your own ability. Or, as actors might say, you seem to "first time" everything you know about writing.

So, wise counsel, you again feel like a struggling amateur. But, time for the prize, you are now ready to mentor with all the knowledge you must prove anew. You are ready for a first time ever occasion that might change you, the mentored one, and anyone within 10 feet, beyond recognition. You are ready to teach what you are learning, not what you were certain you knew.

And you're a better mentor for all that, especially each time you learn something new from the mentored one.IN Icon

James Strecker is the author or editor of two dozen books and CD-ROMs. His collaborators as a poet include artist Harold Town, in the books Black on jazz and Pas De Vingt on ballet, photographer Bill Smith, and composers Barend Schipper and Wolfgang Bottenberg. He is also a journalist and a human development consultant trained in Focusing, the Intensive Journal, and Graphoanalysis. He is currently writing a book on creativity and is seeking a publisher for his book for writers.

Sign Up and Use Our New Forums! Voice Your Opinion! Discuss Our Content! Ask for Writing Assistance. Post Your Successes, Queries or Information Requests. Collaborate with Other Writers.

© Freelance Writing Organization - International 1999-2049

IN This Issue
The Long Life Of Poetry
Marketplaces For Your Poetry
Haiku: Highest Art
What Am I Doing Wrong?
Lyrically Speaking
Writing Poems
The Mind Of A Poet
A Poem Is A Little Path
Seeing Like A Poet
Speaking In Tongues (Excerpt)

Support IN
Receive Free Gifts
$20.00 Voluntary Contribution
$35.00 Voluntary Contribution
$50.00 Voluntary Contribution

New Novelist Software

Effectively Manage Your List

Writers Digest 101 Site Award

Your Ad Here

Traffic Swarm For Writers

Hottest Books This Month!

Whose Books Are Turning Into Movies?
Bald Ego
Mouse Over To Pause

Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

Bard From Deadlines
What makes a poem finally work
Is not the time it takes;
It’s how the poet used the muse
To prophet from mistakes.

Be Mused
The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

Double Vision
A writer’s life is paradox,
It’s more than what it seems;
We write of our reality,
The one inside our dreams.

The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

The Write of Passage
The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at

Our Own Banner Rotator System
Any banner seen below is either our own or one of our members.
Support the cause - click a banner.

Want Your 468x60 Banner Above? It's FREE For Newly Published Books

© Freelance Writing Organization - International 1999-2049
All Rights Reserved. Copying in any way strictly forbidden.
Our Disclaimer Is Based Upon McIntyre's First Law: "Under the right circumstances, anything I tell you may be wrong."