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January, 2008

Coyote Morning

Norman Mailer: American Literary Giant
Pugnacious, prolific, provocative
By  Rowdy Rhodes

Norman Mailer [1923 - 2007]
Author Norman Mailer [1923 - 2007], 84, died of kidney failure November 10th, 2007 at Mt. Sinai Hospital in New York City. With his passing we lose one of the greatest, most passionate and prolific novelists of our time.

He challenged our thoughts on sex, violence, and politics. His public brawls and eccentric behaviour often trumped, not only his voice, but also his outstanding literary accomplishments.

Norman Mailer, holder of two Pulitzer Prizes and numerous other awards, was a prolific author who wrote compelling prose about the good and bad in humanity using both fiction and nonfiction as his medium. He was the author of over 40 books with an  ego large enough to ensure that his personal insecurities were somewhat obscured.

He proclaimed himself to be an American literary champion. With sixty years in the public eye, whether through book releases, book signings, public appearances, lectures, or interviews, Norman Mailer had a significant impact on the literary scene of Post-war America.

A selected bibliography of his broad-ranging and controversial content is compiled below for those of you who can't think of what he wrote off the top of your head. He was the Mike Tyson of fiction, hitting readers hard and fast with his writing, commentary, and opinions.

Mailer's words erupted on the reading public in 1948 with his American novel The Naked And The Dead. Eleven years, and a number of books later, his prose shifted from concentrating upon war stories to focusing more upon himself. For example, the release of Advertisements For Myself is a creation of blatant self-promotion.

He was a member of that generation of writers – including Saul Bellow, John Updike, Joseph Heller, Tom Wolfe, Gore Vidal, and Philip Roth – who had each appointed himself the task of delivering the Great American Novel. Total disregard for the public opinion that more than one great American novel had already been written was the fashion of this independent collective. They simply ignored the accomplished works of Fitzgerald, Melville, Twain, Wharton, James, and Hemingway, making the literary scene of their time their very own.

To be sure, Norman Mailer did do something that most authors only dream of doing: He continued making a significant mark on the literary scene long after the immediate Post-War era and will be eternally remembered for his writing accomplishments.

Born in Long Branch, New Jersey, his ancestors were Russian Jews, and their last name was Anglicised and given to his grandparents when they immigrated. No one in his family can actually recall the original sir name. It has been lost in the records of Ellis Island.

One day, after becoming famous in his own right, he was having a discussion with Gore Videl who offered him some writing advice that still stands today: Never miss an opportunity to be on television, never be shy about facing the public, and never turn down an interview. The last public appearance he attended was in 2000 at the Edinburgh International Book Festival.

View It
His book, The Castle In The Forest, recently reprinted in his honour by Random House Trade Paperbacks (October 16, 2007), is featured here.

An interesting insight into Mr. Mailer's opinion on what can drive an author's career into a head-on wreck with the future is excerpted from his book Conversations With Norman Mailer:

Interviewer: "Well, then, what can ruin a first-rate writer?"

Mailer: "Booze, pot, too much sex, too much failure in one's private life, too much attrition, too much recognition, too little recognition, frustration. Nearly everything in the scheme of things works to dull a first-rate talent. But the worst probably is cowardice – as one gets older, one becomes aware of one's cowardice, the desire to be bold, which once was a joy, gets heavy with caution and duty. And finally there's apathy. About the time it doesn't seem too important any more to be a great writer, you know you've slipped far enough to be doing your work now on the comeback trail."

Mailer resided in Provincetown, Massachusetts, with his wife of 33 years, Norris Church Mailer, and maintained an apartment in Brooklyn, New York. In addition to his wife, he is survived by nine children, Susan, Danielle, Elizabeth, Kate, Michael, Stephen, Maggie, Matthew, and John Buffalo; ten grandchildren; a sister, Barbara Wasserman, and a nephew Peter Alson.

Our collective condolences go out to his family.


The Naked And The Dead. New York: Rinehart, 1948.
Barbary Shore. New York: Rinehart, 1951.
The Deer Park. New York: Putnam's, 1955.
An American Dream. New York: Dial, 1965.
The Short Fiction Of Norman Mailer. New York: Dell, 1967.
Why Are We In Vietnam? New York: Putnam's, 1967.
Of Women And Their Elegance. New York, Simon and Schuster, 1980
Ancient Evenings. Boston: Little, Brown, 1983.
Tough Guys Don't Dance. New York: Random House, 1984.
Harlot's Ghost. New York: Random House, 1991.
The Gospel According To The Son. New York: Random House, 1997.
The Castle In The Forest. New York: Random House, 2007.


The White Negro. San Francisco: City Lights, 1957.
Advertisements For Myself. New York: Putnam's, 1959.
The Presidential Papers.New York: Putnam, 1963.
Cannibals And Christians. New York: Dial, 1966.
The Armies Of The Night. New York: New American Library, 1968.
Miami And The Siege Of Chicago. New York: New American Library, 1968.
Of A Fire On The Moon. Boston: Little, Brown, 1969.
The Prisoner Of Sex. Boston: Little, Brown, 1971.
St. George And The Godfather. New York: Signet Classics, 1972.
Marilyn: A Biography. New York: Grosset & Dunlap, 1973.
The Faith Of Graffiti. New York: Praeger, 1974.
The Fight. Boston: Little, Brown and Company, 1975.
The Executioner's Song. Boston: Little, Brown and Company, 1979.
Pieces And Pontifications. Boston: Little, Brown and Company, 1982.
Portrait Of Picasso As A Young Man. Atlantic Monthly Press, 1995.
Oswald's Tale:An American Mystery. New York: Random House, 1996.
Why Are We At War? New York: Random House, 2003.
The Spooky Art: Some Thoughts On Writing. New York: Random House, 2003.

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Rowdy Rhodes is the Site Manager of The Freelance Writing Organization International and General Manager of Inkwell Newswatch (IN). He is also known to freelance an article or two when the fancy strikes him. If you are looking for written content for your website, ezine, or print publication, drop him a line at He'll get back to you as soon as possible.

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Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

Bard From Deadlines
What makes a poem finally work
Is not the time it takes;
It’s how the poet used the muse
To prophet from mistakes.

Be Mused
The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

Double Vision
A writer’s life is paradox,
It’s more than what it seems;
We write of our reality,
The one inside our dreams.

The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
The power and the magic of the mighty alphabet.

The Write of Passage
The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at

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