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WRITER'S LIFE
Fiction
January, 2008


IN Advertising

Easy Readers
Stepping stones
By  Marjorie Allen

As an easy reader author you help shape the minds of future generations of readers.
The Dick-and-Jane books of yore may have been the first easy readers, but their predictability rendered them nothing more than a tool wherein middle-class white children performed daily activities in a middle-class setting. Reading was more of a chore than a pleasure. Enter Theodore Seuss Geisel, more commonly known as Dr. Seuss.

Geisel, a picture book author known for his edgy illustrations and zany verse, published his first book – And To Think That I Saw It On Mulberry Street – in 1937. Twenty years later, in an effort to replace the homogeneous Dick and Jane, he wrote The Cat In The Hat as a supplemental reader. His editor gave him a list of 300 words, the first two of which were "cat" and "hat." The book Geisel penned was so popular that it was published both as a textbook and a trade book. Providing a stepping-stone between picture books and a child's commitment to read a whole book, the easy reader was born.
 
At first, most publishers limited the number of words in an easy reader. As story became more important than limited language, such bans were lifted. Today's easy reader is usually a 64-page book of no more than 2,000 words, divided into four or five short chapters that contain short sentences, simple vocabulary, repetitive words and phrases, and double-spread illustrations. Most major publishers have an easy reader publishing line. For example, Harper has I Can Read and Random House has Beginner Books.

Unlike the picture storybook, the text for an easy reader is typed only halfway across the page. The sentences are very short, with the period being the punctuation of choice. There are no paragraphs, the text is double-spaced, and there is no break at all until a new chapter appears. Each chapter builds the story to a climax, and the last chapter ends the story.
 
When I wrote my first easy reader, I submitted it as a regular 32-page picture book manuscript. The editor sent it back, retyped as an easy reader, and the book Farley, Are You For Real? was soon published as a Break-of-Day easy reader. One, Two, Three – Achoo! was almost immediately accepted when I presented it in an easy-reader format. Later, The Marble Cake Cat was published as a chapter book, with longer sentences and more complicated language.

The easy-reader format includes nonfiction as well as fiction. Vicki Cobb was the first to introduce science to children as a fun activity instead of a learning chore with Science Experiments You Can Eat (1972, rev. 1994).
 
Every children's book requires a different style of writing, depending on the intended age of the reader. Below is a sampling of different styles for various age groups illustrating the reading skill-appropriate variation. In this case, the common subject is cat.

  1. Pre-school picture book:
    Here, Kitty, Kitty.
    Come home with me.

  2. Picture storybook:
    Annabel sat on the floor of the pet shop. She looked at the kitten. And the kitten looked at her. Neither of them blinked. "Yes," Annabel finally said. "You're the one I want."

  3. Easy reader:
    Annabel walked into the pet store.
    She looked at the puppies.
    She looked at the tropical fish.
    She looked at the turtles and the hamsters.
    In a corner cage, she saw the kitten.
    "Muffin, you belong to me," she said.
    The kitten understood.
    It stood up on its hind legs.
    It hooked its tiny claws on the wire cage.
    It looked at Annabel.
    "Meow," it said.

The easy reader is an important part of a child's reading development. Done right, with well-developed characterizations and a gripping story line, these books can lead a child into chapter books and a lifetime love of reading.  IN Icon


Marjorie Allen is currently a freelance writer, editor, and journalist, whose children's book, Changes, was chosen as an outstanding science book for 1991 by the NCTA and CBC. She is the author of five picture books and two research books on children’s literature. Marjorie offers free editing at http://www.marjorienallen.com. Her email address is mna@marjorienallen.com.

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© Freelance Writing Organization - International 1999-2049

Fiction
IN This Issue
Rolla-Costa
Easy Readers
Write Angle
Writing Piffle
Temptation
Remember The Reader
Making It Real
Out Of Order
Reality Suspension
Devilish Details

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Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

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What makes a poem finally work
Is not the time it takes;
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To prophet from mistakes.

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The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
What other call their “themes.”

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The one inside our dreams.

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The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

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Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
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To getting paid for it
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You know you’ll never quit.

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That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
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We find who we are.

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Re-Verse
The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

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