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COLUMNS
Pen IN Hand
January, 2008


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Formula One Writing
Put the pedal to the metal and feel the freedom of "fast writing"
By  Peggy Bechko

Y
ep, that’s what I said. Don’t stop, don’t hesitate; don’t second guess yourself. 
 
Fast writing is the best advice I can give any writer whether starting out, or caught in the writing bind. You know, the blood-will-dot-my-forehead-before-I-get-words-down-on-paper bind. 
 
There’s no guarantee it will work for every writer, but it works for writers like Stephen King and John Grisham. It works for me and probably it will work for you. Give it a try. Whip out that first draft. Sit down to write with an idea in your head and just let loose. 
 
Focus on your idea. Then write. Write fast. Allow your thoughts to carry you forward. Momentum is a marvelous thing. Don’t rethink every thought. Don’t worry about grammar and punctuation. Yes, you’ll have to worry about it later. No, it’s not the editor’s job to do all that. But for the moment it’s not your primary concern. You want the meat of the matter on the page before you start. Everything else comes later. And here comes the cliché of the week: you have to begin something to finish it!
 
Create a deadline. If what you’re writing is an article of 500 words I suggest 45 minutes (not including research time if research was necessary). If you’ve done research you already have a type of momentum going. If you’re embarking on a full length novel your time-table might be more like three months. Be aggressive and fill the blank screen or pages with what you are passionately writing about. 
 
The result will be your rough draft. Your work at that point has a beginning, a middle, and an end. All the requirements for a finished work.  Don’t kid yourself though, now comes the hard part. The real work is about to begin: (eerie music rising in the background) rewrite. 
 
But that isn’t so scary either, so quell scary music above.
 
Since you’re reading this column I presume you’re literate at least in the basic sense and I suspect much more than that. Okay, so here’s the drill.  Hopefully you’ve had straightforward English and Literature classes in school. If you were lucky you had a really cool teacher who didn’t have you dissecting (or was that diagramming?) sentences all over the place and actually helped you to learn the language and to appreciate good writing. 
 
If not, you probably got at least the rudiments, and no doubt can diagram a sentence, but didn’t have a heck of a lot of fun along the way. Nonetheless, presuming you’ve mastered the rudiments, and assuming you’re comfortable with the language, you have a feel for how things work.

Part of that feel will, over time, become your style. Should your grammar be good? Yes. Should you make extensive use of your spell check? Yes. Should you double-check your writing for things the spell check will miss such as using "for" in place of "four", "to" instead of "too?" Yes.
 
That said, now is the time to realize that as you develop your own writing style, there will be times when you bend the rules. Heck, sometimes you’ll stomp them to death. The key is to take joy in each step of the writing process, each draft you produce. That’s where good writing really comes from: passion -- passion for your work and passion for the subject you’re writing about. 
 
So, when you first put pen to paper or fingertips to keyboard, free yourself from fear and perfectionism. Write fast. Write from the heart. Or, if you can’t get quite that passionate yet, write from the mind, be robotic; crank it out. Knock a couple of pages out in a few minutes. Then take a breather and see what you think.
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Author of Doubleday western novels, Harlequin romances, Fictionworks' fantasies (Ebook format), Peggy Bechko has also optioned screenplays domestically and abroad, written for an animated series and for variety of other venues. She's working on a new novel and collaborating with a producer on a animated series. http://www.peggybechko.50megs.com/


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Writer’s Block
The path to inspiration starts
Upon the trails we’ve known;
Each writer’s block is not a rock,
But just a stepping stone.

Poetry Is Not
Penned to the page
Waiting for us to admire.
It is only a lonely thought
Caught by tears on fire.

Silent Echoes
A quiet rhyme upon a page
Is what a poet gives;
Some gentle words whispered in trust
To see if memory lives.

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Is not the time it takes;
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The art and craft of poetry
Are not so far apart;
The craft comes from the cunning,
The rest comes from the heart.

Fine Vintage
Don’t plant your poem on the page
As though you’re hanging drapes;
It’s shape and flow should come and grow
Like wild summer grapes.

Getting It Write
Writers write what they know best,
Their passions, fears, and dreams;
Writers rarely write about
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A writer’s life is paradox,
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We write of our reality,
The one inside our dreams.

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The echo of a promise,
The thunder of a sigh,
The music of a memory,
A child asking why.

Letter Perfect
Twenty six symbols arranged on a page
Can send a soul to heaven or torment it with rage,
Can free a fragile world or hold it in its net--
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The jump from writing just for fun
To getting paid for it
Begins when you first realize
You know you’ll never quit.

Pegasus
It is not the magic of his wings
That sets us free from our bond.
It is the muse within ourselves
That lets our words lift us beyond.

Photo Poet
Consider your mind the darkroom,
Consider your life the lens,
Consider your eye the camera
On whose focus the poem depends.

Rising Moon
A poem is a rising moon
Shining on the sea,
An afterglow of all we know,
Of all we hope to be.

Star Light
Writing a poem,
Reaching a star,
In making good art
We find who we are.

Spider Web
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.

Re-Verse
The final draft upon the screen,
At last my poem’s through;
A verse of only four short lines--
I rewrote twenty-two!

Read All Of Charles Ghigna's Poetry at FatherGoose.com


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