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INKWELL NEWSWATCH (IN)
a monthly online publication
ISSN 1712-4328

The Inkwell
News Group

A Publishing Division of Freelance Writing Organization International

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WRITER'S LIFE
Screen & Stage
December, 2012

WRITER'S LIFE
Screen & Stage

Adrenaline Adventures (Excerpt)
"A friend asked why I do my adventures. My answer is, I want to live life as much as I can without regrets. I don't want to put off saying 'I love you' to someone."
By Fran Capo


WRITER'S LIFE
Screen & Stage

Scary Games And Spreading Blame
The alter ego sits patiently, doing who knows what, until it’s time to play -- and not every knock on his door guaranatees certainty he’ll come out and get in the game.
By Ken Robinson


WRITER'S LIFE
Screen & Stage

A Quick Guide to Successful Radio Writing
When it comes to radio writing, we are trying to cram lots of information into people’s ears, one short line at a time, so keep it short and fast, and every second counts.
By J.R. Kambak


WRITER'S LIFE
Screen & Stage

LPFM: Airwaves For The People
LPFMs have become the largest independently licensed, managed, locally responsive, community-based public radio for minorities.
By J.R. Kambak


WRITER'S LIFE
Screen & Stage

Filming On A Low Fat Diet
You’ll have to alter the mantra in your head that says, “Nobody can tell me how to write,” if you hope to shoot your screenplay.
By Ken Robinson


WRITER'S LIFE
Screen & Stage

Writers Let Down Big Easy
Rosie LevineOver 15,000 suffering men, women and children -- mostly black and mostly poor -- lay dying, starving, in the Superdome.
By Rosie Levine


WRITER'S LIFE
Screen & Stage

Hollywood High
The first thing any wannabe screenwriter learns during a week in Hollywood is that to succeed, it really is who you know.
By Ken Robinson


WRITER'S LIFE
Screen & Stage

Novel To Screenplay: Adaptation 101
Old and very bad jokes aside, how does one pour 10 gallons of story into a one-gallon jug of a compelling screenplay?
By Lynne Pembroke and Jim Kalergis



WRITER'S LIFE
Screen & Stage

Cooking Up Screenplays From Scratch
If you want the people in your show to sizzle, you’ve got to suffer and sacrifice to wrangle your characters' behaviour.
By Ken Robinson


WRITER'S LIFE
Screen & Stage

Marketing Basics
It's clear that screenwriters need to spend almost as much time on the marketing as they do in writing the screenplay.
By Jerrol LeBaron





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